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l. I'll frame each block with a solid color--thanks for the comments and suggestions! Thank you, ladies--I think you're right. The solids should calm and confine the blocks, yet still help them to relate to each other.
2. Although I kept telling myself I could make a second quilt that wouldn't be THAT bad, I have hobbled out to the dumpster and tossed in the twelve most offensive blocks. Yes--didn't even inflict them on some unsuspecting thrift store shopper! The buck stops here. It was tricky, since I absolutely abhor waste, but sometimes you just have to take a stand! (I think that when I'm tempted to say something 'isn't THAT bad', it probably is.) I will not be contaminating someone else's world with blocks of horror.
(And, on an aside, does this seem familiar?
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIS0oWEIzB7kOPDEm87IF8nf2MUUVW0TPOVb9foy7k-7m8cHFHVYrK9NTd7OkCLcZopWWCEzAm08jUWHMcyfGiwNSU5EgJ0_0GHuxMm_kElpQAb2IKGAORdgf-jm8XvblYKrKDBSl8Uao/s200/vomit+fabric3.jpg)
It occurs to me that this, the worst of the departed blocks, is the fabric equivalent of Edvard Munch's well-known painting, 'The Scream'.)
So, I have auditioned the twelve more acceptable blocks on three backgrounds: blue, green, and yellow. Each of the pieces is from my stash, since this is a strictly a scrap project. I like the effect of the all the colors with the blocks, but I think the blue and the yellow make the best combination, so I'll frame half the blocks in each color and plan to set them together checkerboard-style.
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I think this should actually turn out quite nice, now that the 'vomit' print squares have made their way to a proper resting place. I really do like it now.
ReplyDeleteWow! each background color makes them 'pop' differently. Have fun! Sorry about your wrenched knee. Hope you recover quickly.
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